In a village under constant threat of displacement, where homes and schools are torn down and the land is slowly seized, how does one resist? For Basel, the camera is a weapon in the fight to preserve his community of Masafer Yatta. No Other Land is an unflinching documentary of settler violence, created by two Palestinians and two Israeli filmmakers. What they capture is undeniable.
On this episode of Celebrating Cinema, Basel and Yuval join Elliot for a powerful conversation about living under separate laws of the same state. They discuss their role as storytellers, connecting the fractured pieces of this crime, and uncovering the emotional truth behind life under occupation. Through their lenses, they expose Israeli state policies fuelling land grabs and illegal occupation, while underscoring the urgent need to document and bear witness.
To mark the release of Francis Ford Coppola’s Megalopolis, a 40-year passion project with a staggering $140 million price tag, we turn our attention to cinema’s most audacious, eccentric, and underappreciated visions — the “ugly ducklings” that, against all odds, have found their place in the cultural canon. This episode explores the daring, often misunderstood passion projects of filmmakers who, like Coppola, have risked everything to bring their boldest dreams to the screen.
From extravagant failures to cult masterpieces, we examine why cinema desperately needs these fearless auteurs, willing to gamble their careers and fortunes for the sake of their art. We also delve into the curious phenomenon of these “megalomaniac” films — why it often takes decades for them to be properly appreciated, and how audiences can learn to embrace even the most challenging works, regardless of whether they “succeed” on traditional terms. Through these cinematic oddities, we celebrate the vital necessity of creative ambition, the glory of artistic missteps, and the long road to recognition that only the most daring films must travel.
Book tickets to Megalopolis @ LAB111
Book tickets to Hugo’s Megalomania Program
When 26 royal treasures from the Kingdom of Dahomey (modern-day Republic of Benin) would finally be returned from France, filmmaker Mati Diop was granted rare access to document this historic moment. Dahomey, Diop’s deeply moving and thought-provoking documentary, is the result of that access—a cinematic meditation that not only chronicles the repatriation of these artefacts but also imagines the voices of the objects themselves while focusing on the emotional responses of the Beninese people.
Building on the genre-defying spirit of her debut Atlantiques, Diop uses this personal and collective journey as a lens to explore the themes of return, restitution, and memory. Again weaving together fiction and reality in search of deeper truths. In conversation with host Elliot, Diop reflects on the making of Dahomey, the cultural significance of the treasures’ homecoming, and the profound, ongoing relationship between history, identity, and filmmaking.
Trigger warning: Please be advised that this episode includes discussions about sexual violence.
In this powerful episode, host Elliot sits down with Shiori Ito to discuss her film debut, Black Box Diaries. The documentary is a firsthand account of Shiori’s harrowing experience of sexual violence by media mogul Noriyuki Yamaguchi, a man with ties to Japan’s political elite, including former Prime Minister Shinzo Abe. Shiori’s decision to speak out in a culture where sexual assault is often silenced sparked a movement that resonated far beyond her personal story.
Through Shiori’s unwavering resolve, Black Box Diaries critiques Japan’s archaic laws surrounding sexual violence, which often leave survivors with little recourse for justice. The film transcends its role as an exposé, offering a deeply personal narrative of trauma, healing, and resilience. Shiori’s journey of reclaiming her voice and confronting systemic patriarchy underscores the power of solidarity in the pursuit of truth.
In this intimate conversation, Shiori reflects on the emotional toll of her fight, the necessity of breaking the silence surrounding sexual violence, and the broader societal forces that shield perpetrators from accountability. Join us for a discussion on courage, justice, and the transformative power of speaking out.
Book tickets to Black Box Diaries
Book tickets to CC Film Club: One From The Heart
In Kneecap, Rich Peppiatt delivers a raw and politically charged origin story about JJ, a Belfast teacher, and two self-proclaimed “low-life scum,” Naoise and Liam, who form the first Irish-speaking hip-hop group. The film is a powerful act of cultural resistance, celebrating the revitalization of the Irish language through music.
Peppiatt discusses with our host Elliot the film’s roots in Belfast’s rich, turbulent history and the creative process that unfolded over many drinks with the Kneecap group. This conversation explores the film’s personal and political layers, focusing on the vital importance of storytelling in preserving language and identity.
Book tickets to Kneecap
Book tickets to CC Film Club: One From The Heart
Join us for a cinematic road trip through the films of visionary director Wim Wenders, whose work has redefined cinematic storytelling. In conjunction with the LAB111 program Drifters and Dreamers: The Films of Wim Wenders and the stunning 4K restoration of Paris, Texas (1984), Tom Ooms and Elliot Bloom explore the recurring themes of transience, memory, and the search for meaning that define Wenders’ expansive body of work.
Known for his haunting cinematography (often crafted by Dutch cinematographer Robby Müller) and his deeply humanistic perspective, Wenders’ films are both personal reflections and universal meditations on existence. We’ll examine his recurring motif of the traveler—whether an angel, filmmaker, or pilgrim—navigating between real and imagined worlds.
From the fractured narrative of Paris, Texas to the contemplative Perfect Days (2023), we delve into how Wenders transcends genre boundaries, using the road movie to create a unique cinematic language that speaks directly to the soul. Whether revisiting his classics or discovering his work for the first time, this episode offers an essential guide to Wim Wenders’ vision—why his films may not be for everyone, but are undeniably worth experiencing.
Book tickets to The Films of Wim Wenders
Following a packed-out CC Film Club screening of Knight of Cups, host Hugo chats with Tom van der Linden, the creator of the popular YouTube channel Like Stories of Old, to explore this often-overlooked film by Terrence Malick. Like Stories of Old combines media analysis with personal reflection in emotive video essays, offering viewers a fresh perspective on cinema. With millions of views, Tom inspires us to engage with films in new and meaningful ways. Whether you’re a fan of Knight of Cups or new to Malick’s work, this discussion highlights the art of looking and how we can appreciate cinema on a deeper level. Discover more about Malick’s unique creative process in the making of this film.
Check out Like Stories of Old channel
Visionary director Tarsem Singh joins Kiriko to reflect on The Fall (2006), once dubbed by the filmmaker himself as “the most expensive passion project” until Megalopolis. A film nearly derailed by Harvey Weinstein, The Fall has since been reclaimed by a dedicated fanbase, championed by figures like Roger Ebert. Now with a stunning 4K restoration, this cult classic is ripe for rediscovery—an ode to the enduring power of storytelling. Seventeen years in the making, spanning 27 countries, the film captures breathtaking beauty—both human and natural—in a visual tapestry unlike any other. Tarsem shares the challenges of realizing such an ambitious project, from shooting in remote, inaccessible locations to the personal motivation behind this pursuit.
Special thanks to MUBI for arranging this interview.
Book tickets to The Fall @ LAB111
Book tickets to CC Film Club: Knight of Cups
Crafted on a shoestring budget, Kevin Boitelle’s feature debut, Trip-Tych, serves as both a film about the art of filmmaking and a reflection on the creative struggle inherent in the process. In conversation with host Kiriko, Kevin reminisces about his formative film experiences and his early collaborations with friends, emphasizing his desire to preserve the joy of collective creativity. This audacious comedic satire offers a piercing glimpse into the Dutch film industry, where Kevin champions the need for filmmakers to embrace boldness and surprise, both in narrative and approach. Join us as we explore the intersection of passion and artistry, celebrating a work that challenges conventions and invigorates the discourse around independent cinema.
Book tickets to CC Film Club: Knight of Cups
There is nothing as hypnotizing than the larger-than-life women that we see on the screen—captivating, outrageous, and irresistibly seductive. Join us as we celebrate some of cinema’s most iconic female archetypes, from the bold ladies who strut their stuff to the enigmatic witches who cast their spell through exaggerated feminine mannerisms. To coincide with the “Girls of Plenty” program now running at LAB111 and the release of her illuminating essay Liggend Naakt, film journalist and curator Basje Boer guides us through the allure of femininity in film. Together, we’ll delve into the performances of some of the founding mothers of exaggerated female stereotypes, revealing how playing out a gender role is nothing more than a really great performance.
Get a copy of Basje Boer’s Liggend Naakt
Book tickets to Girls of Plenty @ LAB111
Book tickets to CC Film Club: Knight of Cups
(click on the links for tickets to screenings at LAB111)