In 2007, Walk Hard: The Dewey Cox Story tore the music biopic apart so thoroughly that Hollywood should never have been able to make one with a straight face again. It flopped. Since then, we’ve had Bohemian Rhapsody, Rocketman, Elvis and, this year, Michael. So what went wrong?

For the latest Cine of the Times, film critic Hugo Emmerzael and media scholar Dan Hassler-Forest revisit Jake Kasdan’s merciless parody to figure out why the music biopic refuses to die. They get into how much of the supposedly “true” story never actually happened, the difference between inhabiting a star and simply imitating one, and John C. Reilly’s commitment to playing every absurd cliché completely straight. They also ask what happens when the music industry turns its back catalogue into algorithm-friendly jukebox movies.

Recorded again online after the producer lost the first take.

Get tickets to Cine Of The Times: Walk Hard: The Dewey Cox Story @ LAB111.

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A LAB111 production. Edited and produced by Elliot Bloom, co-produced by Laura Gommans. Music by Hugo Emmerzael. Artwork by Studio FFF.

The Fast and the Furious (Rob Cohen, 2001) was a small film about Los Angeles street racers, immigrant car culture, and a cop who didn’t want to be one. Twenty-five years on it’s a seven-billion-dollar franchise where cars get launched into space and “family” is a marketing strategy. From Echo Park to outer space — what does that arc tell us about Hollywood?

This is the first part of Cine of the Times, a new monthly Celebrating Cinema strand. Each month, critic Hugo Emmerzael (Filmkrant, Locarno) and media studies scholar Dan Hassler-Forest (Utrecht University) take one film from the century so far, ranging from arthouse to spectacular pulp. This month: the serialised blockbuster, the economics of the sequel, and how a street-racing B-movie became the template for the modern studio franchise.

Listen first. Then join us at LAB111 on Wednesday 17 June — curated clips, an extended introduction, and a post-screening discussion. Get your tickets here.

A film podcast from LAB111 — Amsterdam’s arthouse cinema for independent and cult films. Produced by Elliot Bloom.