Cold Open · Essay · mrt 12, 2026

The Man Who Fell to Screen: David Bowie’s Life in Cinema

From the alien drifter of The Man Who Fell to Earth to the unforgettable Goblin King of Labyrinth, David Bowie built a film career as singular as his music career and considerably less discussed. Laura Gommans and Tom Ooms trace Bowie's relationship with cinema across four decades — what drew him to the screen, what he was doing that other musicians who attempted acting were not, and why certain performances (The Prestige, Merry Christmas Mr. Lawrence) hold up as genuine acting rather than celebrity appearances. An episode about a complete artist who kept finding new forms to inhabit.

Film Journalist · Celebrating Cinema

From the alien drifter of The Man Who Fell to Earth to the unforgettable Goblin King of Labyrinth, David Bowie built one of the strangest and most fascinating film careers in pop history.

In this episode, hosts Laura Gommans and Tom Ooms dive into David Bowie’s acting career, exploring how the musician moved through cinema across four decades. They chat about what drew Bowie to the silver screen, why acting became one of his favourite side quests, and the performances that defined his screen presence.

From playing Andy Warhol in Basquiat to a perfectly deadpan cameo in Zoolander, they discuss why directors kept casting Bowie, what made him so magnetically strange on camera, and which roles remain the most unforgettable—before tackling the impossible question: who could ever play Bowie in a biopic?

Fill out our ⁠survey⁠ and win up to €100 worth of prizes.

Get tickets to ⁠Sound And Vision: Remembering David Bowie⁠ @ LAB111

Films Mentioned:

The Man Who Fell to Earth (Nicolas Roeg, 1976)

Christiane F. (Uli Edel, 1981)

Merry Christmas Mr. Lawrence (Nagisa Oshima, 1983)

The Hunger (Tony Scott, 1983)

Labyrinth (Jim Henson, 1986)

The Last Temptation of Christ (Martin Scorsese, 1988)

Twin Peaks: Fire Walk With Me (David Lynch, 1992)

Basquiat (Julian Schnabel, 1996)

Zoolander (Ben Stiller, 2001)

Moonage Daydream (Brett Morgen, 2022)

Our hosts

Geef een reactie

Je e-mailadres wordt niet gepubliceerd. Vereiste velden zijn gemarkeerd met *