The Backrooms, Explained: Kane Parsons & the A24 Feature
Kane Parsons made the Backrooms on YouTube when he was only sixteen. Over 200 million views later, A24 has handed him hi…

Kane Parsons made the Backrooms on YouTube when he was only sixteen. Over 200 million views later, A24 has handed him hi…

Long before phones turned every life into footage, a small line of filmmakers was already pointing the camera at themsel…

Cinema’s dirtiest little secret is that it’s designed to make you want something you can never have. In this…

Can a film be more intimate than pornography? Can a film be more intimate than pornography? In Truly Naked (2026), BAFTA…

What is the worst thing you’ve ever done? This week, hosts Laura Gommans and Elliot Bloom watched Kristoffer Borgl…

The death of French cinema icon Brigitte Bardot has reignited a familiar and uncomfortable question: can we separate art…

Host Laura Gommans, an unabashed devotee of festive films, teams up with Kiriko, who prefers her Christmas viewing a lit…

Sex and the City may not be canonical cinema, but as a cultural artefact it charts America’s imperial confidence, and it…

The American New Wave, or New Hollywood, launched the careers of some of the United States’ most iconic filmmakers, from…

With Dogme 95 turning 30 this year, hosts Laura Gommans and Elliot Bloom reflect on the radical movement that dared to s…

In a moment when Hollywood is once again embracing the comeback—think Demi Moore’s return in The Substance or Pamela And…

To mark the release of Francis Ford Coppola’s Megalopolis, a 40-year passion project with a staggering $120 million pric…

Following a packed-out CC Film Club screening of Knight Of Cups, host Hugo chats with Tom van der Linden, the creator of…

There is nothing as hypnotizing than the larger-than-life women that we see on the screen—captivating, outrageous, and i…

A film’s success often rests on the shoulders of its most bankable stars. But have stars once born to seduce the silver …

Do AI portrayals in film predict a future of robotic overlords or simply offer a chance to innovate cinema? Artificial I…

After a steamy winter featuring Emerald Fennell’s Saltburn, the internet was sent into a frenzy over – a fairly me…

A rare cultural moment in cinema, the release and aftermath of Greta Gerwig’s Barbie certainly had us all talking. Shari…

With the latest installment of the Mission Impossible franchise in cinemas now, we pose the question if Tom Cruise, the …

With the multidisciplinary film program Witch Way Now: Recasting A Feminist Icon heading into its second month of film s…

With Paul Schrader’s must-read book Transcendental Style In Film – suggested by director Viktor van der Valk…

It’s about time we absolve ourselves of the guilt we feel when enjoying our personal favourites! Writer Basje Boer joins…

It’s the big bang of both our 10th episode and the origins of the summer blockbuster, although this episode is not…

A director is much like a chef, and it is no surprise that directors often use cooking analogies when describing their o…

We are back in business! Cinemas have finally reopened and we are here to celebrate. 4 proclaimed cinephiles and yet onl…

Eroticism should be found in balance! Now isn’t it about time that women in cinema got to look back, shifting the gaze b…

The month of May is always a period of remembrance, commemorating all those who lost their lives during the Second World…

After celebrating our love for cinema, we turn to the question of whether cinema is actually all a lie. Do the fictions …

To kick off this new podcast series we thought it would only be right to reflect upon the very thing that has brought us…

An introduction to the podcast series produced by LAB111, outlining our vision and intentions for all future episodes. M…