In this review roundup, hosts Laura Gommans and producer Elliot Bloom find themselves divided on Lynne Ramsay’s Die My Love, a fierce, unflinching portrait of postpartum collapse starring Jennifer Lawrence and Robert Pattinson. Laura and...
To mark the 50th-anniversary rerelease of One Flew Over the Cuckoo’s Nest, hosts Hugo Emmerzael and Tom Ooms revisit the career of the man at the center of its enduring power: Jack Nicholson. In this...
This week, hosts Laura Gommans and Elliot Bloom take on three standout releases. Benny Safdie’s The Smashing Machine, a quirky biopic starring Dwayne “The Rock” Johnson as MMA legend Mark Kerr, prompts the question: did...
The American New Wave, or New Hollywood, launched the careers of some of the United States’ most iconic filmmakers, from Steven Spielberg and George Lucas to Francis Ford Coppola and Martin Scorsese. But what was...
In collaboration with Eye Filmmuseum’s exhibition Ongoing, celebrating the singular career of Tilda Swinton, Hugo Emmerzael sits down with filmmaker, writer, and lifelong cinephile Mark Cousins — Swinton’s longtime collaborator and one of cinema’s great...
Few filmmakers explore desire with as much curiosity and elegance as Luca Guadagnino. His cinema doesn’t just show yearning, it makes us feel it. With After the Hunt now in cinemas, Laura Gommans and Tom...
Sven Bresser’s debut feature Rietland marks a striking moment for Dutch cinema — the first film in nearly 30 years to be selected for Cannes. This eerie, quietly devastating story follows a reed cutter whose...
A lot can change in a week at the movies. One Battle After Another—the film we crowned as the year’s best—has stumbled at the box office, but does that tell the full story? Meanwhile, Dutch...
Paul Thomas Anderson’s $130 million blockbuster might just be the film of the year. In this episode, Laura and Elliot dive into the action-packed, satirical drama while lamenting Leonardo DiCaprio’s phenomenal performance—brilliant on screen, morally...
What ever happened to the chick flick? At the turn of the millennium, this fizzy, unabashedly feminine genre ruled the box office and sleepovers alike, but somewhere along the way, it slipped out of fashion....
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