For as long as I know I’ve always been fascinated with the Second World War. It is, for a lack of a better word, my favorite war. And I can’t see how this could have been any different; growing up the war seemed to have been everywhere. It was something the whole world had to live through at the time.

The month of May is always a period of remembrance, commemorating all those who lost their lives during the Second World War both as victims of genocide and those fighting for their freedom. With screenwriter, director, and fellow list-lover Kim Kokosky Deforchaux, we take a look at how different countries through cinema and film deal with trauma and this particular period of history.

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We are delighted to welcome Miriam Guttmann, director of the recent VPRO documentary Seeds of Deceit (Het Zaat Van Karbaat), who joins us for a discussion on the ethics of documentary-making. Miriam provides a very candid insight into the large web of complexities she found herself navigating through, during the filming of her Sundance selected film. In this episode we explore the purpose of a documentary maker, a director’s relationship to the characters of the story they’re directing and where their duty lies.

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After celebrating our love for cinema, we turn to the question of whether cinema is actually all a lie. Do the fictions we consume shape our own realities? Can our lived experiences ever be wholly original and unique? In this episode our three hosts unpack these big questions and discuss why Britney Spears is the modern day Truman, if we are happy living in our own matrix, as well as our most lived cinematic moments.

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To kick off this new podcast series we thought it would only be right to reflect upon the very thing that has brought us together – our love for cinema! Join us and hear from three very different perspectives as they pull back the curtain from the screen and even themselves. We also get to hear from some of you who have shared your own love for the big screen.

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