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WHY ZOMBIES REFUSE TO DIE

  • June 27, 2025
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This week, Elliot and Kiriko dive into the legendary world of Akira Kurosawa—Japan’s master filmmaker and, let’s be honest, probably your favorite director’s favorite director. From samurai epics like Seven Samurai and Rashomon to powerful...

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Elliot Bloom
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WHY ZOMBIES REFUSE TO DIE

  • June 11, 2025
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With 28 Years Later lurching toward the screen, Laura Gommans and Tom Ooms revisit the undead legacy of the zombie in cinema — a genre that, much like its subject, refuses to stay buried. From...

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DOGME 95, THE PHOENICIAN SCHEME, TWIN PEAKS: WHY WES ANDERSON SHOULD TRY DOGME-STYLE FILMMAKING

  • June 5, 2025
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With Dogme 95 turning 30 this year, hosts Laura Gommans and Elliot Bloom reflect on the radical movement that dared to strip cinema down to its bare bones—and what that legacy means today. Returning to...

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DISPATCH FROM CANNES

  • May 28, 2025
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Reporting from the Croisette, host Hugo Emmerzael is joined by fellow film critic Savina Petkova who together reflect on two unforgettable selections from the 2025 Cannes Film Festival—films that stood apart amid a blur of...

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RANKING EVERY WES ANDERSON MOVIE

  • May 8, 2025
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To mark LAB111’s full Wes Anderson retrospective, hosts Laura Gommans and Tom Ooms rank every film in his colorful, quirky career. They dive into what makes his work so distinct—asking whether it’s all style and...

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GROWING UP IN A REVOLUTION: THE POWER OF PERSEPOLIS

  • April 30, 2025
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In this edition of Review Roundup, host Laura Gommans is joined by Elliot Bloom to dive into the re-release of Persepolis, Marjane Satrapi’s searing, stylish memoir of growing up in Iran through revolution, repression, and...

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HOW DO YOU FILM THE ATOMIC BOMB?

  • April 23, 2025
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Alain Resnais’s Hiroshima Mon Amour (1959) returns to cinemas—a quiet revolution in filmmaking that blends love, loss, and the long shadow of human destruction. In this episode, hosts Kiriko Mechanicus and Elliot Bloom unpack why...

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IS ALEX GARLAND’S WARFARE AN ANTI-WAR MOVIE?

  • April 16, 2025
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Did audiences jump the gun on Alex Garland’s Warfare? Before it’s release, the brutally realist portrait of America’s war in Iraq was deemed just another army recruitment movie, but Hugo Emmerzael and Laura Gommans definitely...

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WHY HOLLYWOOD LOVES A COMEBACK

  • April 9, 2025
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In a moment when Hollywood is once again embracing the comeback—think Demi Moore’s return in The Substance or Pamela Anderson’s reinvention in The Last Showgirl—we turn our attention to the art of the revival. In...

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THE MOST CONTROVERSIAL FILMMAKER IN DUTCH HISTORY W/ LUUK BOUWMAN

  • April 2, 2025
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Dutch Nazi propagandist Jan Teunissen was once one of the most powerful—and now largely forgotten—figures in Dutch cinema. Rising to prominence during World War II, he seized the opportunity to shape ideology through film, aligning...

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Recent Posts

  • WHY ZOMBIES REFUSE TO DIE
  • WHY ZOMBIES REFUSE TO DIE
  • DOGME 95, THE PHOENICIAN SCHEME, TWIN PEAKS: WHY WES ANDERSON SHOULD TRY DOGME-STYLE FILMMAKING
  • DISPATCH FROM CANNES
  • RANKING EVERY WES ANDERSON MOVIE

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