Why Does Hollywood Love Remaking Foreign Films?
Hollywood loves a remake. But why take a film that already works and make it all over again?
Show notes
With Laura Gommans and Tom Ooms
Hollywood loves a remake. But why take a film that already works and make it all over again? Host Laura Gommans sits down with LAB111’s Head of Cinema, Tom Ooms, to dig into Hollywood’s habit of reworking films from around the world and what happens when it gets its hands on someone else’s story.
From Masayuki Suô’s Shall We Dance? and its Richard Gere-starring remake to Funny Games, The Vanishing and Force Majeure, they look at the changes that can turn a film into something completely different. There are American happy endings, cultural misunderstandings and the occasional remake that becomes a classic in its own right, as with Martin Scorsese’s The Departed, adapted from Hong Kong thriller Infernal Affairs.
With Odyssey Classics re-releasing the original Japanese Shall We Dance?, it’s a good moment to consider Hollywood’s never-ending impulse to remake the world in its own image.
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A LAB111 production. Edited and produced by Elliot Bloom, co-produced by Laura Gommans. Music by Hugo Emmerzael. Artwork by Studio FFF.
Transcript
Transcript coming soon.