Widely regarded as the bald bad boy of contemporary French cinema, Gaspar Noé has been disrupting movies and polarising opinions for the past twenty years with his visceral blend of provocative films. Joining filmmaker Kiriko, Gaspar discusses his latest film Vortex (2021), as well as his experiences working with legendary Italian ‘giallo’ maestro Dario Argento and his love for Tokyo, as depicted in Enter The Void.
Special thanks to Paradiso Films for this amazing opportunity.
Gaspar Noé is an Argentinian filmmaker and screenwriter who lives in France. He is the son of Luis Felipe Noé, an Argentinian artist. He directed I Stand Alone, Irréversible, Enter the Void, Love, Climax, Carne, Lux Æterna, Sodomites and Vortex. His films are known for having a sensory overload style, most notably in Enter the Void.
- Vortex (Gaspar Noé, 2021)
- Opera (Dario Argento, 1987)
- Profondo Rosso (Dario Argento, 1987)
- Irréversible (Gaspar Noé, 2002)
- Enter The Void (Gaspar Noé, 2009)
- Love (Gaspar Noé, 2015)
- Climax (Gaspar Noé, 2018)
- Salò O Le 120 Giornate Di Sodoma (Pier Paolo Pasolini, 1975)